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CHINA PROPHECY: SHANGHAI
June 24, 2009 through April 11, 2010
CLICK HERE for a Virtual Walkthrough and a tour of the exhibition with director Carol Willis on BatteryPark.tv
CHINA PROPHECY IN THE PRESS: Wall Street Journal; Architect's Newspaper; eOculus.
[DOWNLOAD Exhibition Press Release]
CLICK HERE for full video coverage of our related lecture series, Shanghai Skyline
China Prophecy: Shanghai explores 21st-century skyscraper city of Shanghai
and is the third in a cycle of three related exhibitions entitled FUTURE CITY: 20 | 21 that
juxtaposes a retrospective of American visions of the skyscraper city of the future from the
early 20th century with an exploration of Chinese cities today, pursuing the parallel conditions
of rapid modernization and urbanization. The second exhibition of the cycle,
Vertical Cities focused on Hong Kong and New York.
Shanghai today is a vast metropolis of 18 million residents--the largest city in the world's most populous nation.
In just three decades, its population has nearly doubled, and the city has been physically transformed by the twin emblems
of modernity--high-rises and highways. Formerly a horizontal expanse of dense and sprawling lilong neighborhoods, Shanghai
has grown vertically. Nearly 400 high-rises of twenty stories or more were built in the historic core, Puxi, since 1990,
and colossal elevated roads fly over old neighborhoods. In the new business district of Pudong on the east side of the river,
a master plan dictates taller towers rising from open green space, culminating in a pair--soon to be a trio--of the world's ten
Left: "New York 1999," New York World, December 30, 1900
Right: Lujiazui trio, Gensler
The scale and speed of Shanghai's rise reproduces and even surpasses Manhattan's historic ascent in the early twentieth century,
as explored in the exhibition New York Modern
As the world's largest city in 1930, New York boasted a population of nearly 7 million and some 200 skyscrapers--more than all other cities
combined at that time.
Hong Kong Midlevels, P&T Architects
The second exhibition in the three part series, FUTURE CITY: 20|21, Vertical Cities examined the parallels
during two major development booms and defining moments in the vertical identity of New York in the 1920s and 1960s and Hong Kong
in the mid-1980s-1990s and today. Today, as high-rises proliferate everywhere, Hong Kong holds the title with 7,200. Still ascending, though,
Shanghai is surely China's prophecy of the urban future.
Change Along the Bund Since 1980
Top: Jakob Montrasio, Bottom: Katte Belletje
China Prophecy documents this stupendous urban transformation through film and photographs of old and new Shanghai, including a 20-minute
video odyssey traveling the city's streets and highways filmed by resident photographer Jakob Montrasio. Evoking the speed and ambition of the
city's futuristic focus are projected computer animations by the Chinese company Crystal CG that create spectacular flyovers of the city before
circling the major skyscrapers that are their subjects.
From left: Lujiazui from Puxi (rendering), Gensler; Lujiazui, Gensler; Magnolia Plaza rendering, SOM
The installation features large models of the major towers that now define-or will soon enhance-the Shanghai skyline.
These include an architectural and wind-tunnel testing model of Jin Mao (88 stories; 1999); a presentation model of
Tomorrow Square (55 stories; 2003); a massing model and structural engineering model of the Shanghai World Financial Center
(101 stories; 2008); and an architectural model and structural computer models of Shanghai Tower (128 stories; 2014),
now in development. Other renderings, sections, and construction photographs illustrate a range of technical issues that
distinguish these towers, which are all designs of American-and mostly New York based-architectural and engineering firms.
Other major high-rise projects included in the exhibition are KPF's Jing An complex and SOM's White Magnolia Plaza, both
in development. The issue of global design practice is explored in the exhibition and a related lecture series in fall 2009.
From left: Oriental Pearl TV Tower; Tomorrow Square; Jin Mao and SWFC (under construction); Jin Mao; SWFC, all (c) Jakob Montrasio
Shanghai Tower, Gensler
These new Shanghai super-skyscrapers are ambitious in their height and innovative engineering. At 1380 ft. (438 meters),
Jin Mao, designed by the Chicago office of Skidmore Owings & Merrill, is taller than the Empire State Building; the Shanghai
World Financial Center, designed by New York-based architects KPF, is taller than any U.S. skyscraper at 1614 ft (492 meters);
and Shanghai Tower, designed by the American firm Gensler, has an announced height of 2073 ft (632 meters), which will make it
the tallest building in China and the second tallest in the world. Typical of these Shanghai towers, as well as those being
built today throughout Asia and the Mideast, is a mixed-use program that includes a commercial base, zones of offices, residences
or luxury hotels, and restaurants and observation desks on the top floors. The concept of the structure as a "vertical city" is
often invoked-offering parallels to early twentieth-century visions of New York as the city of the future.
Sky Lobby of Shanghai Tower, Gensler
Sustainable skyscraper design seems an oxymoron to some, but as the exhibition argues, high-rises and high density-in conjunction
with mass transit-is a logical strategy for greener cities. The city's most advanced high-performance design planned to date is
the double-glass curtain wall of the Shanghai Tower, which will encircle eight stacked 15-story segments with atrium spaces and
sky gardens soaring the full height of the 128-story structure. "Better City, Better Life," calls out Shanghai's emphasis on
sustainable design as the slogan for the 2010 Expo, which will open May 1, 2010. The exhibition illustrates the Expo in plans,
photographs, and a Crystal CG animation of the site and pavilions that emphasizes Shanghai's self-image as the city of the future.
Nanjing Road Panorama, Jakob Montrasio
Three major approaches to urban planning and design are evident in Shanghai today and illustrated in the exhibition. In the historic core Puxi,
high-rise commercial and residential development proceeds by razing individual sites or whole low-rise neighborhoods in a patchwork process-either
for single skyscrapers or for major mixed-use projects on a mega-block, such as Plaza 66 and the future Jing An complex. The second, radically
different approach governs the growth of Pudong, the expansive new area of development on the east side of the Huangpu River, a district that
extends to the East China Sea and covers 200 square miles (about half the size of New York's five boroughs). The name Pudong is commonly used
as shorthand for the concentrated skyscraper district, Lujiazui, the Finance and Trade Zone that has developed as Shanghai's new center for
Stimulated by the government's master plan in 1990, towers have grown as fast as bamboo on land that was principally
Top: Xintiandi Elevations (new), Studio Shanghai; Bottom: Rockbund Redevelopment Aerial Rendering, The Rockefeller Group
agricultural or industrial waterfront. Lujiazui, an area the same size (and, indeed, shape) as lower Manhattan, now boasts more than three dozen
skyscrapers of 40+ stories, including the 88-story Jin Mao and the 101-story Shanghai World Financial Center.
The premise of the Pudong master plan
requires open green space surrounding the towers and broad axial avenues that privilege cars over pedestrians. The result is a tower-in-the-park
approach that stands in stark contrast to the dense, street-oriented development of Puxi. Historic preservation and adaptive re-use is the third
approach to urban planning and design now being practiced in Shanghai. Featured examples in the exhibition are Xintiandi and the North Bund development, Rockbund.
CLICK HERE for a Google Map of all highrise buildings in Shanghai above 150 meters that are either proposed, approved, or under construction.
CLICK HERE for a map of major Lujiazui Skyscrapers!
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"China Prophecy: Shanghai" is supported, in part, by public funds from the New York City Department of Cultural Affairs.
"China Prophecy: Shanghai" is supported, in part, by public funds from the New York State Council on the Arts, a State Agency.